Every day I’m hustling (pool) - R C and S get to know their fellow travellers at Wombats. Joe, Abbie, John and Steph nowhere to be seen…
Every day I’m hustling (pool) - R C and S get to know their fellow travellers at Wombats. Joe, Abbie, John and Steph nowhere to be seen…
A healthy czech lunch on our second 9 hour train. Goodbye Berlin, here we come Vienna! - C
Might possibly smuggle this guy home with me. Jeremy would love to interrail in my pocket - C
“Pardon’ me intrusion gov’nor
waynfleetingideas asked: How did the read-through work? Have you worked out fully who you want saying what?
The read read through worked exceptionally well; we denoted only masc/fem line separation and the remainder was up to the cast. We have now worked out EXACTLY who we want saying what, and the play is going to be very beautiful. Apologies for the late reply,
s
“The chicken won’t stop dancing”
Blog has been somewhat neglected recently, so here’s something to get the ball rolling once more.
Apparently you can ask me things here. I don’t yet know fully how this lil sucker works, nor if there’s a slicker way of accessing it, but I will gladly talk to y’all.
*UPDATE* Ask me anything using this nifty lil thing by adding ‘ask’ to my domain name at any time: i.e. http://kindablue.tumblr.com/ask
Martin Crimp’s innovative work Attempts on her Life , perhaps the piece most structurally comparable to Psychosis. Kane cited Crimp as one of the few contemporary playwrights she admired, her later work owes I feel a definite debt this piece in particular.